L'Aigle et le Hibou / The Eagle and the Owl

1989
oil on canvas
80 x 100 cm
signed and dated 'W Aractingii 89' (lower left)



NOT FOR SALE
Provenance

The Artist's Estate

Condition Report
There are no obvious condition concerns. For a full condition report please email service@artscoops.com.
Location

Beirut, Lebanon

Shipping
  • Ships in up to 14 business days.
MORE FROM THIS ARTIST


About this artwork

L'Aigle et le Hibou

L'Aigle et le Chat-huant leurs querelles cessèrent,
Et firent tant qu'ils s'embrassèrent.
L'un jura foi de Roi, l'autre foi de Hibou,
Qu'ils ne se goberaient leurs petits peu ni prou.
Connaissez-vous les miens ? dit l'Oiseau de Minerve.
Non, dit l'Aigle. Tant pis, reprit le triste oiseau :
Je crains en ce cas pour leur peau :
C'est hasard si je les conserve.
Comme vous êtes Roi, vous ne considérez
Qui ni quoi : Rois et Dieux mettent, quoi qu'on leur die,
Tout en même catégorie.
Adieu mes Nourrissons, si vous les rencontrez.
Peignez-les-moi, dit l'Aigle, ou bien me les montrez :
Je n'y toucherai de ma vie.
Le Hibou repartit : Mes Petits sont mignons,
Beaux, bien faits, et jolis sur tous leurs compagnons :
Vous les reconnaîtrez sans peine à cette marque.
N'allez pas l'oublier ; retenez-la si bien
Que chez moi la maudite Parque
N'entre point par votre moyen.
Il avint qu'au Hibou Dieu donna géniture.
De façon qu'un beau soir qu'il était en pâture,
Notre Aigle aperçut d'aventure,
Dans les coins d'une roche dure,
Ou dans les trous d'une masure
(Je ne sais pas lequel des deux),
De petits monstres fort hideux,
Rechignés, un air triste, une voix de Mégère.
Ces enfants ne sont pas, dit l'Aigle, à notre ami.
Croquons-les. Le Galand n'en fit pas à demi :
Ses repas ne sont point repas à la légère.
Le Hibou, de retour, ne trouve que les pieds
De ses chers Nourrissons, hélas ! pour toute chose.
Il se plaint; et les dieux sont par lui suppliés
De punir le brigand qui de son deuil est cause.
Quelqu'un lui dit alors : N'en accuse que toi
Ou plutôt la commune loi,
Qui veut qu'on trouve son semblable
Beau, bien fait, et sur tous aimable.
Tu fis de tes enfants à l'Aigle ce portrait :
En avaient-ils le moindre trait ?

The Eagle and the Owl

The Eagle and the Owl had treaty made—
Ceased quarrelling, and even had embraced.
One took his royal oath; and, undismayed,
The other′s claw upon his heart was placed:
Neither would gulp a fledgling of the other.
"Do you know mine?" Minerva′s wise bird said.
The Eagle gravely shook her stately head,
"So much the worse," the Owl replied. "A mother
Trembles for her sweet chicks—she does, indeed.
It′s ten to one if I can rear them then.
You are a king, and, therefore, take no heed
Of who or what. The gods and lords of men
Put all things on one level: let who will
Say what they like. Adieu, my children dear,
If you once meet them." "Nay, good ma′am, but still,
Describe them," said the Eagle; "have no fear:
Be sure I will not touch them, on my word."
The Owl replied, "My little ones are small,
Beautiful, shapely,—prettier, far, than all.
By my description you will know the dears;
Do not forget it: let no fate by you
Find way to us, and cause me ceaseless tears."
Well, one fine evening, the old Owl away,
The Eagle saw, upon a rocky shelf,
Or in a ruin, (who cares which I say?)
Some little ugly creatures. To himself
The Eagle reasoned, "These are not our friend′s,
Moping and gruff, and such a screeching, too:
Let′s eat ′em." Waste time never spends
The royal bird, to give the brute his due;
And when he eats, he eats, to tell the truth.
The Owl, returning, only found the feet
Of her dear offspring:—sad, but yet it′s sooth.
She mourns the children, young, and dear, and sweet,
And prays the gods to smite the wicked thief,
That brought her all the woe and misery.
Then some one said, "Restrain thy unjust grief;
Reflect one moment on the casualty.
Thou art to blame, and also Nature′s law,
Which makes us always think our own the best.
You sketched them to the Eagle as you saw:
They were not like your portrait;—am I just?"

BUY
ARTSCOOPS LEADS YOU INTO THE MENA ART SCENE
An immersive experience of proximity and excitement, accompanied by service of exceptional quality, adapted to meet your needs

BUYING
SELL
BRING THE MENA ART MARKET TO LIFE
Sell your own works or works from your collection with Artscoops


SELLING
article image alt
A new chapter
Timing, it is often said, is everything. Fortunately, Jennifer Haddad, the artist and award-winning casting director and producer for film and television, knew when the moment felt right to embrace a new medium in her passion for sharing untold stories.Jennifer at workProfessional dilemmas come in all shapes and sizes, as the Beirut-based artist...
— Read the full interview
article image alt
From movies to a mastery of modern art
Dr Hussam Rashwan, a well-known collector and recognised authority on modern Egyptian art, takes Artscoops on a fascinating trip down memory lane, starting back in 1970s’ Alexandria, when he first discovered the local art scene, before bringing us up to date with details of how he presents his impressive 2,000-piece collection today.Dr Hussam...
— Read the full interview
article image alt
A time for textiles to shine
Firouz Farman-Farmaian talks to Artscoops about his latest collaborative project with Qashqai Iranian rug crafters, which marks a full circle moment on what has been an epic geographical and professional journey. Portrait of Firouz Farmaian by Antalya Von PreussenSince a sense of nomadism has long sat at the heart of the life and work of the...
— Read the full interview
article image alt
A face for all reasons
The Iranian artist Afarin Sajedi has garnered renown for her striking, intriguing and inspired portraits of women. Here, the director and owner of Dorothy Circus Gallery, Alexandra Mazzanti, who has curated four of Sajedi’s solo exhibitions in Italy, shares her thoughts on what sets this artist apart from her contemporaries and why her paintings...
— Read the full interview
article image alt
Amal Dagher on Nature’s Inspirational Qualities
The multi-disciplinary Lebanese artist talks to Artscoops about the infinite possibilities that the natural world offers for storytelling through art.What first prompted your interest in art and when did you decide that it was what you wanted to focus on?I’ve been interested in art as long as I can remember – certainly ever since I was a kid –...
— Read the full interview
article image alt
A past and present that diverge, dovetail and prompt dialogue
Featuring more contemporary artists than ever before and mediums often regarded as crafts, the fifth iteration of the ‘Parallel Histories’ exhibition at the Sharjah Art Museum undoubtedly has a different emphasis from its predecessors. Suheyla Takesh, Curator of Barjeel Art Foundation, Sharjah, tells Artscoops why these shifts in focus are key...
— Read the full interview
Sign in to your account to get exclusive access to new works, receive personalised experiences and place bids.

Forgot your password?